张志强作

4.个人作品介绍   4.Personal work introduction

我的山庄印象在2024年10月8日 《山庄印象》应邀参加俄罗斯伊尔库茨克中国文化艺术节，在2024年9月6日 《山庄印象》应邀参加蒙古国 乌兰巴托中蒙建交75周年艺术展。

 My Impression of the Mountain Villa was invited to participate in the Irkutsk Chinese Culture and Art Festival in Russia on October 8, 2024, and the 75th anniversary of the establishment of diplomatic relations between China and Mongolia art exhibition in Ulaanbaatar, Mongolia on September 6, 2024.

    写生集《山庄印象》的介绍，写生集由120幅组成。

     避暑山庄是东方园林风景之大成就，它的造园有神话元素“三仙岛布局”它有皇上的梦境“日月同辉”有皇上亲眼看过的美景“金山寺”还有佛教、道教、龙王、神仙的宫殿。

     我从小在山庄边上长大。但陌生我又感觉他们原来是什么样子。他们的设计者-康熙皇上倒底要表现什么又有什么样审美体验？观赏它是春、夏、秋、冬？什么时间？早、中、晚还是风、霜、雨、雪的不同天气时都要细细的品味一番以求得“最佳观赏体验”。

     Introduction to the sketch collection "Impressions of the Mountain Villa", which consists of 120 pieces.

The Summer Resort is a great achievement in Eastern garden scenery. Its garden design incorporates mythological elements such as the "Three Immortal Islands Layout", the emperor's dream "Sun and Moon Shine Together", the beautiful scenery witnessed by the emperor himself, the "Jinshan Temple", as well as Buddhist, Taoist, Dragon King, and immortal palaces.

I grew up near the mountain villa since I was young. But unfamiliar to me, I also feel what they used to be like. What does their designer, Emperor Kangxi, really want to express and what aesthetic experience does he have? Is it spring, summer, autumn, or winter to admire? what time? It is important to carefully savor different weather conditions such as morning, afternoon, evening, wind, frost, rain, and snow in order to achieve the "best viewing experience".

    写生集《无名的风景》的介绍，写生集由40幅组成

我是一个出生在1982年的人。我的绘画更加关注个人的内心感受。个人与社会的统一与偏差。2020年出现了我们从未见过的H5N1我们整个城市被封闭起来。没有人能出去。整个城市像一个牢宠。我是一个艺术家我经常向外看。我感觉很不安。我经常试图从我们楼后边走出去跑到山上去看这个城市。。。《无名的风景》画集也创造在那个时期。那色彩与造型是当时无奈与恐惧的内心表现。

Introduction to the sketchbook "Nameless Scenery", which consists of 40 sketches

I am a person born in 1982. My paintings focus more on personal inner feelings. The unity and deviation between individuals and society. In 2020, we encountered H5N1 that we had never seen before, and our entire city was sealed off. No one can go out. The whole city is like a prison pet. I am an artist and I often look outside. I feel very uneasy. I often try to walk out from behind our building and run up the mountain to see this city... The painting collection 'Nameless Scenery' was also created during that period. The color and design were expressions of helplessness and fear at that time

  写生集《我要去挂林》的介绍，整体由26幅组成

   我要从中国的北方一直坐车到中国的南方。我要一边走一进行写生创作。桂林的山与挂林的水好像就是天然的画卷。我听着刘三姐的音乐开始进行创作。

    The introduction to the sketch collection "I'm Going to Hang the Forest" consists of 26 pieces

I want to take a car from the north of China all the way to the south of China. I want to walk while creating sketches. The mountains in Guilin and the water hanging in the forest seem like a natural painting. I started creating while listening to Liu Sanjie's music.

    油画作品《艺术家是匹孤独的骏马》

我在草原上写生，遇然遇到一匹黑色的骏马。它独来独往。我感觉这就是我内心的投影，艺术也像这马一样虽然骏美但也是孤独的存在。

Oil painting work 'The Artist is a Lonely Steed'

I was sketching on the grassland when I encountered a black steed. It comes and goes alone. I feel like this is the projection of my inner self, and art, like this horse, although beautiful, is also a lonely existence.